A venue in Liberty State Park with three separate landmarks in three different directions — which is the whole planning problem.
A glass box on the Hudson's west bank — which means the skyline is lit rather than backlit at the end of the day.
A 1919 French château on the highest ground on Long Island — and a single symmetrical axis that runs through everything.
An 1897 Beaux-Arts museum with a glass entrance bolted on a century later — two opposite kinds of light in one building.
A museum holding a scale model of all five boroughs — which offers a photograph available nowhere else.
A converted 1901 factory on the Williamsburg waterfront — where the skyline is backlit at sunset, not front-lit.
A row of Greek Revival temple fronts facing a working shipping channel — permanently in soft light, which is the whole point.
A small purpose-built chapel at Stateline — and four ways out of the room it gives you.
A lakeside resort on Tahoe's north-east shore — with a private beach, real altitude, and a season shorter than couples expect.
Red sandstone in the Mojave, where heat, colour and crowds all point to the same hour.