These are working notes, not marketing. Each one covers a single venue: where the light comes from and at what time, which rooms photograph well and which fight you, how long the group photographs realistically take there, and what we would change about a timeline if we were shooting it.
Most venue pages tell you a room holds two hundred people. None of them tell you that the ceremony space faces west and turns into a silhouette at five o'clock in June, or that the only good portrait spot is a ten-minute walk away and you will need to build that into the schedule. We learned those things the hard way, venue by venue, and there is no reason for the next couple to learn them the same way.
Tell us where you are getting married and we will write it up. We research every venue we shoot anyway, so it costs us nothing to publish what we find.
An off-Strip Las Vegas resort walked in the order a day uses it — and what being off the Strip gives a photographer.
A small Las Vegas chapel walked in the order a ceremony uses it — and what a short booking demands.
A small timber chapel with planted grounds, walked in the order a wedding day uses it.
A small Las Vegas wedding chapel walked in the order a ceremony uses it — arrival, aisle, vows, and out.
A Las Vegas resort built to imitate a city — and the one decision that determines what the pictures mean.
A downtown Las Vegas hotel with a rooftop pool deck — where one scheduling decision governs the gallery.
An older downtown Las Vegas hotel, where one lighting decision determines what the whole gallery looks like.
A downtown Las Vegas resort where one decision — which version of the city the pictures belong to — governs everything.
A strongly themed Las Vegas resort — what a committed theme gives a photographer, and what it takes.
A Las Vegas venue with an observation level far above the city — what height gives, and what it costs.