A resort on the western slope of the Tetons — which means the peaks are lit at sunset rather than backlit.
A beachfront casino resort — a building deliberately designed to have no daylight and no clocks in it.
An 1848 cast-iron lighthouse marooned in a highway median — and one frame that turns the traffic into an asset.
An 1850s raised Gulf Coast cottage with deep galleries and live oaks — and a site whose history has to be decided about before it is booked.
A complete light station on a barrier island — tower, cottages, outbuildings, and a beach where the tide runs out for a very long way.
An air force museum near Savannah with a bomber in a dark hall, a stained-glass chapel and memorial gardens.
A restored 1913 hotel ballroom — a single decorated volume, and one frame that shows the whole of it.
A private club in a Georgian Revival building — a sequence of panelled rooms rather than one large hall.
A former banking hall with a domed painted ceiling — and one decision that shapes every frame in it.
A golf resort built around an 1870s mansion — a period house with several hundred acres of open ground behind it.