A venue on the bank of the lower Connecticut River — tidal water, a working bridge, and wooded hills on both sides.
A painted barn venue in southern Connecticut — and the surprisingly large difference between a red barn and a weathered grey one.
A small venue in a public park with a pond and a rose garden — and one frame that only exists for a few weeks each year.
A very large resort above the Thames River in eastern Connecticut — and one decision about light that settles everything else.
A shingled hotel directly on a Long Island Sound beach — a building whose entire plan points one way.
A working orchard in central Connecticut — planted rows, a traprock ridge behind, and a calendar set by fruit rather than by anyone's diary.
A lake surrounded by woodland in eastern Connecticut — read hour by hour, because a lake does something different in every one of them.
A club and banquet venue in western Connecticut — and one decision that decides where the pictures actually get made.
An inn on a rise above a tidal river in Mystic — where the water level changes through the day and the colour is nothing like an ocean's.
An enormous resort complex set in eastern Connecticut woodland — vast, largely windowless, and surrounded by trees almost nobody uses.