A hilltop venue in the wooded hills of western Connecticut — elevated, treed and seasonal, which suits some weddings much better than others.
A mansion with formal gardens on an open shore above Long Island Sound — read hour by hour, because on a south-facing lawn the hour is everything.
A harbourside hotel on the western Connecticut shore, and the one frame a working harbour gives that open water cannot.
A stone mansion on a point at the eastern end of Long Island Sound — granite, glass and water on three sides.
A New England post-and-beam barn — built to store hay, not to be photographed, which turns out to be an advantage.
A restored 1913 hotel ballroom — a single decorated volume, and one frame that shows the whole of it.
A private club in a Georgian Revival building — a sequence of panelled rooms rather than one large hall.
A former banking hall with a domed painted ceiling — and one decision that shapes every frame in it.