The Grandview Venue, Bentonville: The One Decision That Governs Everything
A venue on high ground in northwest Arkansas, where a single decision about camera height changes every photograph.
The Venue at South Spring, Malvern: What It Suits and What It Does Not
A rural venue in the Ouachita foothills, where the mountains run east–west and the slopes face north and south rather than every direction.
The Columns at The Grand, Benton: What It Suits and What It Does Not
A columned building in central Arkansas — formal, symmetrical, and demanding of a camera that is exactly level.
The Woodland Venue, Fayetteville: The Problem and Four Ways Out of It
A woodland venue in the Ozarks, presenting the problem every wooded site presents: light that is dim, green and directionless.
The River Market, Little Rock: A Walk Through the Site
A nineteenth-century warehouse district on the Arkansas River, where brick, steel and a big river sit within a few hundred metres.
The Victoria Venue, Fort Smith: How the Light Moves
A historic venue in Fort Smith, on the Arkansas River at the Oklahoma line — where the plains begin and the light changes character.
Pratt Place Inn, Fayetteville: How the Light Moves
A historic inn on wooded acreage in Fayetteville, where a hillside and a closed canopy between them decide what each hour is good for.
The Stone Chapel at Mattix Farms, Lowell: One Frame and How It Is Made
A stone chapel on Arkansas farmland, and one frame that depends entirely on the sun striking the wall at a shallow angle.
The Chapel at Sugar Creek, Pea Ridge: One Frame and How It Is Made
A chapel in the Ozarks, and one frame worth planning the day around: two people in an open doorway with the dark interior behind them.
The Box Turtle Venue, Rogers: The Problem and Four Ways Out of It
A rural venue in the Ozarks, presenting the problem every open-field venue presents: a high sun, no cover, and green in every direction.