The Woodland Venue, Fayetteville: The Problem and Four Ways Out of It
A woodland venue in the Ozarks, presenting the problem every wooded site presents: light that is dim, green and directionless.
The River Market, Little Rock: A Walk Through the Site
A nineteenth-century warehouse district on the Arkansas River, where brick, steel and a big river sit within a few hundred metres.
The Victoria Venue, Fort Smith: How the Light Moves
A historic venue in Fort Smith, on the Arkansas River at the Oklahoma line — where the plains begin and the light changes character.
Pratt Place Inn, Fayetteville: How the Light Moves
A historic inn on wooded acreage in Fayetteville, where a hillside and a closed canopy between them decide what each hour is good for.
The Stone Chapel at Mattix Farms, Lowell: One Frame and How It Is Made
A stone chapel on Arkansas farmland, and one frame that depends entirely on the sun striking the wall at a shallow angle.
The Chapel at Sugar Creek, Pea Ridge: One Frame and How It Is Made
A chapel in the Ozarks, and one frame worth planning the day around: two people in an open doorway with the dark interior behind them.
The Box Turtle Venue, Rogers: The Problem and Four Ways Out of It
A rural venue in the Ozarks, presenting the problem every open-field venue presents: a high sun, no cover, and green in every direction.
The Barn at the Springs, Garfield: A Walk Through the Site
A barn venue in limestone country, where the springs run clear and cold all year because the water comes out of the rock.
The Crystal Ballroom, Little Rock: The Venue’s Own Logic
A historic ballroom in downtown Little Rock — a room designed to be lit from the ceiling and reflected off the walls.
The Barn at Twin Oaks, Rogers: The Venue’s Own Logic
A barn in the Arkansas Ozarks — a building designed to be dark, dry and ventilated, which makes it the best free studio in this guide.