Naples Grande Beach Resort, Naples: The Problem and Four Ways Out of It
A west-facing Gulf resort where the sunset is both the reason people come and the hardest lighting problem on the property.
The Ritz-Carlton Key Biscayne: What It Suits and What It Does Not
An Atlantic-facing resort on a barrier island off Miami — which means the sun comes out of the water, not down into it.
The Vinoy, St. Petersburg: One Frame and How It Is Made
A 1920s hotel on the downtown St. Petersburg waterfront, and one frame that needs the building's lights and the sky to sit a stop apart.
The Don CeSar, St. Pete Beach: The One Decision That Governs Everything
A large pink building on a white Gulf beach. The colour is not a detail; in low sun it becomes the light itself.
The Ringling, Sarasota: How the Light Moves Across the Estate
A bayfront estate on Sarasota Bay — a Venetian Gothic house, a colonnaded museum courtyard, and a west-facing shore that gives the sun to the water.
Vizcaya Museum & Gardens, Miami: A Walk Through the Site
An Italianate villa set in formal gardens on Biscayne Bay, where the stonework is local reef rock and the shade is banyan.
The Biltmore Hotel, Coral Gables: The Logic of a Pre-Air-Conditioning Building
A hotel built in 1926, before air conditioning, for a subtropical climate — which means it was designed around shade, and the shade is still the best thing in...
Grappone Conference Center, Concord: What It Suits and What It Does Not
A modern purpose-built event centre in Concord — reliable, weatherproof, and entirely dependent on what a photographer brings to it.
Manchester Country Club, Bedford: What It Suits and What It Does Not
A country club in the Merrimack valley — maintained open ground with mature New England woodland at its edges, and nothing rough at close range.
Owl’s Nest Resort, Thornton: Field Notes, Problem and Solution
A resort on a White Mountain valley floor, with ridges on both sides and the high peaks beyond them.