A marine park on Virginia Key, where the best light in the place comes out of the water and is the wrong colour.
A large theme park and animal attraction in Tampa — engineered, colourful, crowded, and photographically the opposite of a quiet garden.
A zoo in Tampa, where one decision decides every frame: an animal in the picture is always the subject, whatever the photograph was meant to be about.
A resort built around an enormous glazed atrium — an outdoor landscape with a roof on it, which is a lighting situation unlike any other in this guide.
Flat agricultural country south of Miami, where the ground is level, the groves are tropical and the noon sun is within two degrees of overhead.
A sawgrass prairie where the horizon is lower than anywhere else in this guide, and the sky is nine-tenths of every photograph.
A concrete box with a geodesic glass bulge on the St. Petersburg waterfront. The building is either the background or the subject, and it cannot be both.
Formal gardens stepping down to the St. Johns River, at the northern end of Florida where the oaks are larger and the year actually has four parts.
Japanese gardens in south Florida, where the design itself tells you where to stand — and one frame that uses it exactly as intended.
A tropical botanic garden where the planting is organised by family — which means the quality of shade changes completely from one section to the next.