The Kansas City Marriott Downtown: Four Ways Out of the Large-Hotel Problem
A large downtown Kansas City hotel spanning connected towers, with extensive ballroom and meeting space and a 1920s Art Deco element.
The Beauregard-Keyes House, New Orleans: A Walk Through the Site
An 1826 house museum in the French Quarter of New Orleans, with period interiors and a walled garden.
The Landmark Center: How the Indoor Courtyard Frame Is Made
A former federal courthouse of 1902 in downtown St Paul, with a glass-roofed indoor courtyard ringed by galleried floors.
The Ogden Museum, New Orleans: A Walk Up Through the Building
An art museum in New Orleans with galleries, a central atrium and a rooftop terrace used for events.
Thorncrown Chapel, Eureka Springs: What It Suits, and What It Does Not
A glass chapel standing in Ozark woodland — extraordinary, and harder to photograph than almost any interior.
Loews Kansas City: How the High Window Frame Is Made
A contemporary high-rise hotel in downtown Kansas City, Missouri, with ballroom space, guest floors and city views.
The National WWII Museum, New Orleans: What It Suits and What It Does Not
A large museum in New Orleans with hangar-scale exhibition halls, suspended aircraft and event spaces at several scales.
The James J. Hill House: Field Notes on Red Sandstone and Dark Oak
An 1891 Richardsonian Romanesque mansion in red sandstone on Summit Avenue, St Paul, with oak interiors and formal grounds.
The Muehlebach Hotel: A Historic Wing Attached to a Modern One
A 1915 hotel in downtown Kansas City, joined to a later modern tower, with period ballrooms and contemporary guest floors.
The Four Seasons New Orleans: What It Suits and What It Does Not
A modern luxury hotel in New Orleans whose flexible spaces accommodate guest lists of any size.