Bedford Village Inn, Bedford: A Walk Through the Site
A converted New England farmstead where a timber barn, a federal-period house and modern additions sit on the same ground.
Snowvillage Inn, Snowville: The One Decision That Governs Everything
A country inn on a hillside with one direction that matters. Which way the camera points decides whether the picture is a landscape or a portrait.
Loon Mountain Resort, Lincoln: The Problem and Four Ways Out of It
A ski resort out of season: cleared slopes, no shade, and infrastructure built for function rather than for pictures.
The Lakehouse at Ferry Point, Sanbornton: How the Light Moves on a Lake
A house on the shore of a deep glacial lake in the New Hampshire Lakes Region, where the water does more to the light than the sky does.
Mountain View Grand Resort, Whitefield: How the Light Moves
A grand hotel on an open hilltop north of the White Mountains, with nothing between it and the horizon in any direction.
The Villa at Great Bay, Greenland: The One Decision That Governs Everything
A venue on a tidal estuary where a large volume of water leaves and comes back twice a day. Which state it is in when you photograph decides everything.
Wildcat Mountain, Pinkham Notch: One Frame and How It Is Made
A ski mountain whose whole value is what it faces: Mount Washington and Tuckerman Ravine, straight across the notch.
AMC Pinkham Notch, New Hampshire: The Problem and Four Ways Out of It
A base camp at the bottom of a deep glacial notch, where the ridges take the first hours of the day and the last.
Wentworth by the Sea, New Castle: The Venue’s Own Logic
A grand hotel on an island off Portsmouth, built when people came to the coast to be cooler — which is why it is full of porches.
Omni Mount Washington Resort, Bretton Woods: The Venue’s Own Logic
A grand hotel from 1902 with a very long veranda pointed at the Presidential Range. Everything about the building follows from that.