Taos Ski Valley, New Mexico: One Frame, and How It Is Made
A high alpine valley above Taos — and the one frame a steep-sided mountain site gives.
The Hotel Luna Mystica, Taos: What It Suits, and What It Does Not
An open mesa site outside Taos with enormous sky and no shade — extraordinary at the right hours, hostile at the wrong ones.
El Monte Sagrado, Taos: The Light Through a High-Desert Day
A Taos resort with planted grounds and water features, taken hour by hour at altitude.
The Taos Inn, New Mexico: Field Notes on Adobe and Altitude
A historic Taos adobe inn at altitude — what earthen walls and thin air ask of a photographer.
The McRaven House, Vicksburg: The Problem, and Four Ways Out
A preserved Vicksburg historic house — dark, small, densely furnished rooms, and four ways to photograph in them.
The Duff Green Mansion, Vicksburg: The Light Through a Day
A tall-ceilinged Vicksburg townhouse taken hour by hour through a wedding day.
The Cedar Grove Mansion, Vicksburg: A House Built for the Bluff
A Vicksburg house on the loess bluffs facing the Mississippi — and what that orientation decides.
The Anchuca Mansion, Vicksburg: A Walk Through the Galleries
A Vicksburg antebellum house walked in the order a wedding day uses it — galleries, rooms, grounds.
The Elks Lodge, Grand Forks: The One Decision That Governs Everything
A Grand Forks lodge hall, where one decision about the light determines what the whole gallery looks like.
The Grand Theatre, Grand Forks: What It Suits, and What It Does Not
A historic Grand Forks theatre — dramatic where it counts, and genuinely awkward in four specific ways.