A Tudor Revival stone manor with a botanical garden in the New Jersey Highlands — read hour by hour, because stone and garden want different hours.
A large Gothic Revival chapel in central New Jersey, and the one frame a great nave gives that no other room can.
A venue on a basalt ridge west of Newark, looking east over the basin to the Manhattan skyline — read hour by hour, because the haze decides everything.
A sculpture park in central New Jersey — designed as a sequence of enclosures, each one with its own light and its own object in it.
A converted industrial loft in Jersey City — no view, no daylight to speak of after four, and four ways round both.
A marina-side venue in Liberty State Park — a working waterfront, which suits some weddings exactly and others not at all.
A waterfront venue where the best frame is made through the glass — and made so the glass is invisible.
A venue in Liberty State Park with three separate landmarks in three different directions — which is the whole planning problem.
A glass box on the Hudson's west bank — which means the skyline is lit rather than backlit at the end of the day.