The St. Regis Aspen: The Light Through a Day
A formal hotel in a high Colorado mountain town, taken hour by hour through a wedding day.
Sapphire Point Overlook, Dillon: The Problem, and Four Ways Out
A high overlook above a Colorado reservoir — a view worth the altitude, and four problems that come with it.
Snow Mountain Ranch, Granby: Field Notes on a High Meadow
A ranch property in a high Colorado meadow — open ground at eight thousand feet, and lodgepole around it.
Purgatory Resort, Durango: The One Decision That Governs Everything
A ski mountain in the San Juans. One decision — top or base — settles the light, the timing and the risk.
The Vail Mountain Club, Vail: Field Notes
A private club in Vail at eight thousand feet — where the altitude stops being a detail and becomes the main variable.
The Willow Creek Farm, Westminster: The Light Through the Day
A farm venue on the plains edge north of Denver — flat ground east, a mountain wall west.
The Pikes Peak Center: The Problem, and Four Ways Out of It
A performing arts centre in downtown Colorado Springs — a building that excludes daylight on purpose.
The Pinery at the Hill, Colorado Springs: One Frame, and How It Is Made
An event venue on a rise above Colorado Springs, with a fourteen-thousand-foot mountain filling the western view.
The Cheyenne Canon Inn: The Venue’s Own Logic
A 1920s house at the mouth of a canyon in Colorado Springs — a position that decides the light and the air.
The Broadmoor: What It Suits, and What It Does Not
A 1918 grand resort at the foot of the Front Range — Mediterranean Revival at a scale that decides everything.