The Albuquerque Museum: From Modern Glass to Old Town Adobe
A contemporary museum of art and history on the edge of Old Town Albuquerque, with a sculpture garden and glazed public spaces.
The Thunderbird Inn: Field Notes on a 1964 Motor Inn
A 1964 motor inn on West Oglethorpe, restored with its mid-century character and neon signage intact. Entirely unlike every other venue in Savannah.
The Stillwater River Lodge: One Variable Changes the Whole Venue
A lodge on the Stillwater River outside Whitefish, Montana, in a wooded river corridor.
The Museum of Indian Arts and Culture: Building the Shot List
On Museum Hill southeast of central Santa Fe, devoted to the arts and cultures of Native peoples of the Southwest, with an outdoor amphitheatre and long views.
The Pines at Creston: A Photographer Answers Your Questions
A mountain wedding venue in the North Carolina high country north of Asheville, with long-range Blue Ridge views and open ground at elevation.
Whitefish Mountain Resort: One Decision Governs the Whole Day
A ski resort on Big Mountain above Whitefish, Montana, with summit views across the Flathead Valley toward Glacier.
Tulsa Country Club: Field Notes on a 1908 Club
Founded 1908 and generally described as Oklahoma's oldest country club, with a mature golf course and a substantial clubhouse in midtown Tulsa.
Gramercy Mansion: Field Notes on a Country Estate
A Tudor-style mansion on around 45 wooded acres in Stevenson, north-west of Baltimore, with gardens, a pool terrace and an organic farm.
The Gateway Arch: Field Notes on Photographing 630 Feet of Steel
Eero Saarinen's catenary arch, completed 1965, standing 630 feet above the Mississippi riverfront in a national park with redesigned grounds.
Choctaw Hall: What a Gazebo Ceremony Does to the Photographs
An antebellum house on planted grounds in central Natchez, with a garden gazebo used as a ceremony site.