The Tate House: Who This 1755 House Suits
Built 1755 in the Stroudwater district of Portland, a Georgian house with an unusual clerestory gambrel roof, and an eighteenth-century-style garden.
The Pirates’ House: Who This Venue Suits
One of the oldest buildings in Savannah, an eighteenth-century seamen's inn near the river, with a warren of small low-ceilinged dining rooms and a cellar.
The Olmsted: A Photographer Answers Your Questions
A former 1920s school building in Louisville's Highlands, its gymnasium converted into an event hall with a barrel-vaulted ceiling and tall arched windows.
The Rose Theater: A Walk-Through of a 1926 Movie Palace
Opened 1926 in downtown Omaha as the Riviera, an atmospheric movie palace with Spanish-Moorish detailing and a ceiling painted to suggest an open sky.
The Engineers Club: Building the Shot List at the Garrett Mansion
A private club occupying a historic mansion on Mount Vernon Place, with marble entrance hall, panelled rooms and a substantial staircase overlooking the square.
Stanton Hall: Four Ways Out of the White-Column Problem
A large Greek Revival mansion on its own city block in Natchez, with white-painted columns and mature gardens.
The Lensic: Lighting a 1931 Moorish-Spanish Theatre
Opened 1931 on San Francisco Street, a Moorish and Spanish Renaissance movie palace, restored in 2001 as Santa Fe's main performing arts venue.
The Angad Arts Hotel: Who This Colour-Themed Venue Suits
An arts hotel in the Grand Center district of St. Louis, where guest rooms are themed by saturated single colours and guests choose a room by mood.
The Harvard Club of Boston: A Season-by-Season Guide
A private club in Back Bay with panelled function rooms, oil portraits and traditional finishes. An indoor venue whose photographs still change completely with the season.
Sentinel Hotel: Reading the Light, Building the Timeline
A downtown Portland hotel formed from two early 1900s buildings, including a former Elks lodge with an ornate ballroom. Grand interiors, and almost no daylight in them.