The Derryfield Country Club, Manchester: Field Notes, Problem and Solution
A golf club on the edge of New Hampshire's largest city — open mown turf with mixed New England woodland at its edges.
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We are writing a photographer’s field guide to every wedding venue we would happily work in, city by city. Each guide covers the light, the timing and the frames that work – and says plainly where we are drawing on craft rather than on having shot there.
A golf club on the edge of New Hampshire's largest city — open mown turf with mixed New England woodland at its edges.
Read the guideA restored 1920s theatre where one frame — two people on the stage, the empty house behind them — is worth the whole evening.
Read the guideAn early nineteenth-century stagecoach inn in a preserved village — small windows, low ceilings, and an entire street that has barely changed.
Read the guideA converted New England farmstead where a timber barn, a federal-period house and modern additions sit on the same ground.
Read the guideA country inn on a hillside with one direction that matters. Which way the camera points decides whether the picture is a landscape or a portrait.
Read the guideA ski resort out of season: cleared slopes, no shade, and infrastructure built for function rather than for pictures.
Read the guideA house on the shore of a deep glacial lake in the New Hampshire Lakes Region, where the water does more to the light than the sky does.
Read the guideA grand hotel on an open hilltop north of the White Mountains, with nothing between it and the horizon in any direction.
Read the guideA venue on a tidal estuary where a large volume of water leaves and comes back twice a day. Which state it is in when you photograph decides everything.
Read the guideA ski mountain whose whole value is what it faces: Mount Washington and Tuckerman Ravine, straight across the notch.
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