Naples Grande Beach Resort, Naples: The Problem and Four Ways Out of It
A west-facing Gulf resort where the sunset is both the reason people come and the hardest lighting problem on the property.
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We are writing a photographer’s field guide to every wedding venue we would happily work in, city by city. Each guide covers the light, the timing and the frames that work – and says plainly where we are drawing on craft rather than on having shot there.
A west-facing Gulf resort where the sunset is both the reason people come and the hardest lighting problem on the property.
Read the guideAn Atlantic-facing resort on a barrier island off Miami — which means the sun comes out of the water, not down into it.
Read the guideA 1920s hotel on the downtown St. Petersburg waterfront, and one frame that needs the building's lights and the sky to sit a stop apart.
Read the guideA large pink building on a white Gulf beach. The colour is not a detail; in low sun it becomes the light itself.
Read the guideA bayfront estate on Sarasota Bay — a Venetian Gothic house, a colonnaded museum courtyard, and a west-facing shore that gives the sun to the water.
Read the guideAn Italianate villa set in formal gardens on Biscayne Bay, where the stonework is local reef rock and the shade is banyan.
Read the guideA hotel built in 1926, before air conditioning, for a subtropical climate — which means it was designed around shade, and the shade is still the best thing in it.
Read the guideA modern purpose-built event centre in Concord — reliable, weatherproof, and entirely dependent on what a photographer brings to it.
Read the guideA country club in the Merrimack valley — maintained open ground with mature New England woodland at its edges, and nothing rough at close range.
Read the guideA resort on a White Mountain valley floor, with ridges on both sides and the high peaks beyond them.
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