Rosewood Sand Hill, Menlo Park: The One Decision That Governs Everything
A low modern hotel in the oak country of the Peninsula foothills — and one decision that settles how the whole day is lit.
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We are writing a photographer’s field guide to every wedding venue we would happily work in, city by city. Each guide covers the light, the timing and the frames that work – and says plainly where we are drawing on craft rather than on having shot there.
A low modern hotel in the oak country of the Peninsula foothills — and one decision that settles how the whole day is lit.
Read the guideA historic hotel in Berkeley, and the one frame an old building like it gives better than anything modern.
Read the guideA retreat centre on a Santa Cruz Mountains ridge — quiet, wooded, and built for something other than weddings, which cuts both ways.
Read the guideA private garden estate among coast redwoods above Los Gatos — the darkest woodland in this guide, and the clearings that rescue it.
Read the guideA Japanese-style garden on a steep foothill slope — designed for a single walking eye, which is not what a wedding is.
Read the guideA former military post at the north foot of the Golden Gate — white buildings, a parade ground, and weather that arrives through a gap in the hills.
Read the guideA grand hotel at the top of a San Francisco hill — built on a ceremonial spine, and standing above the fog more often than in it.
Read the guideA hilltop above the wetlands at the cold southern end of Sonoma — where the wind comes from, and what that means.
Read the guideA stone winery in the Santa Ynez Valley — warm limestone, oak savanna, and a valley that lies the wrong way round.
Read the guideA formal ornamental garden in the middle of Sonoma vineyard country — two design languages on one property, each with its own rules.
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