The Laura Plantation, Vacherie: Suits and Does Not Suit
A Creole house in strong ochre, red and green rather than white columns — and a site that puts its history first.
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We are writing a photographer’s field guide to every wedding venue we would happily work in, city by city. Each guide covers the light, the timing and the frames that work – and says plainly where we are drawing on craft rather than on having shot there.
A Creole house in strong ochre, red and green rather than white columns — and a site that puts its history first.
Read the guideAn avenue of twenty-eight live oaks older than the house they lead to — and a site whose history has to be understood before it is booked.
Read the guideA modern hotel above the waterfront near Pike Place — which suits some couples exactly and others not at all.
Read the guideAn aquarium on a pier over Elliott Bay, with an unobstructed western horizon a few steps outside the door.
Read the guideA glass hotel above the Seattle waterfront — where the dominant light is a softbox the size of the sky.
Read the guideA downtown museum on one of Seattle's steep streets, with a forty-eight-foot black figure hammering outside the door.
Read the guideA riverside convention centre beside a waterfall — where the concourse glass and the park outside do most of the work.
Read the guideA converted industrial loft in Jersey City — no view, no daylight to speak of after four, and four ways round both.
Read the guideA marina-side venue in Liberty State Park — a working waterfront, which suits some weddings exactly and others not at all.
Read the guideA waterfront venue where the best frame is made through the glass — and made so the glass is invisible.
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