The Cliff House, Cape Neddick: The Problem and Four Ways Out of It
A resort on an open Atlantic cliff in southern Maine — no shelter, no shade, and a wind that is the normal condition rather than an event.
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We are writing a photographer’s field guide to every wedding venue we would happily work in, city by city. Each guide covers the light, the timing and the frames that work – and says plainly where we are drawing on craft rather than on having shot there.
A resort on an open Atlantic cliff in southern Maine — no shelter, no shade, and a wind that is the normal condition rather than an event.
Read the guideA Victorian inn above Camden harbour, where hills come down to the sea and the tide moves the boats twice a day.
Read the guideAn 1858 light on the granite of Mount Desert Island, where the famous view is from below and the safe ground is above.
Read the guideA very small ornate lighthouse on a Casco Bay breakwater, with the Portland skyline across the water behind it.
Read the guideA lighthouse standing offshore at the end of nine hundred feet of stacked granite blocks. Whether the party walks it decides everything.
Read the guideA New England barn that has been finished, glazed and lit — which inverts every rule that applies to a working barn.
Read the guideA lighthouse from 1791 standing on granite above the Gulf of Maine, and one frame that depends entirely on where the tide is.
Read the guideA ranch in Paradise Valley beneath a single dominant peak — which is a different photographic problem from a whole range.
Read the guideA very large working ranch on the Blackfoot River, big enough that the walk between its environments is a drive.
Read the guideA ranch in a broad valley in western Montana, with open meadow, a creek, timber buildings and conifer slopes on both sides.
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