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Weddings, engagements and portraits

Everything on this page is a real wedding, engagement session or portrait sitting, photographed as it happened. We do not stage moments and we do not re-run a first kiss for a better angle. If a frame is here, it is because it was already there.

A couple kissing among autumn foliage during an engagement session
Autumn woodland engagement session
Fifteen groomsmen in suits standing on the steps of a memorial
The groomsmen, on the memorial steps
A couple embracing on a garden path beneath maples
A quiet minute on the garden path
A bride and groom looking back from the steps of a red brick hall
On the steps of a red brick hall
Close-up of hands signing the marriage register beside a bouquet
Signing the register
A couple in traditional wedding dress, foreheads touching, in autumn woodland
Traditional dress, autumn woodland
A couple embracing by the water beneath a willow
Lakeside engagement session
A couple seen from behind at a stone balustrade at dusk
The last of the light, from the balustrade
A couple facing each other in a stone colonnade
A moment in the colonnade
A couple seated on a bench in a rose garden
On a bench in the rose garden

What you will notice in these photographs

How we photograph a day

We work in a documentary style, which in practice means we spend most of the day out of your way. You will not hear us directing the room. The exceptions are the group photographs and your portraits, where a little direction saves everybody time.

Available light first

We use flash when a room genuinely needs it, not by default. A dark venue is a craft problem, not an excuse.

The small things

Your grandmother watching the speeches. The shoes by the door. Those are the frames people come back to years later, far more often than the posed ones.

Consistent colour

Every image in a gallery is graded together, so your album does not swing between warm and cold from one page to the next.

Venues we already know

Hotels, museums, conservatories and a great deal of open ground

If you are still choosing a venue, our guides cover the light, the timing and the rooms that are genuinely difficult — free to read whether or not you ever book us.

Look up your venue

Would you like to see a full gallery?

These are edits. Ask us for a whole delivered gallery.

If you want to see everything a client actually received — start to finish, rather than a curated dozen — ask and we will send you one. It is the only honest way to judge a photographer, and you should ask it of every one you talk to.

Ask for a full gallery

Recent work

Everything on this page is a real wedding, engagement session or portrait sitting, photographed as it happened. We do not stage moments and we do not re-run a first kiss for a better angle. If a frame is here, it is because it was worth keeping — not because it was arranged.

How we photograph a day

We work in a documentary style, which in practice means we spend most of the day out of your way. You will not hear us directing the room. The exceptions are the group photographs and your portraits, where a little direction saves everyone half an hour of standing about, and we get those done quickly so you can get back to your guests.

What you will notice in these photographs

Available light first. We use flash when a room genuinely needs it, not by default. A dark venue is a craft problem, not an excuse.

The small things. Your grandmother watching the speeches. The shoes by the door. Those are the frames people come back to years later, far more often than the posed ones.

Consistent colour. Every image in a gallery is graded together, so your album does not swing between warm and cold from one page to the next.

Venues we already know

We have photographed hotels, museums, conservatories, private clubs, theatres and a great deal of open ground. If you are still choosing a venue, our venue guides cover the light, the timing and the rooms that are genuinely difficult at more than 1,100 real venues across forty-eight states — written for photographers, but useful to anyone planning a day.

Would you like to see a full gallery?

These are edits. If you want to see everything a client actually received — the whole delivered gallery, start to finish, rather than a curated dozen — ask us and we will send you one. It is the only honest way to judge a photographer, and we would rather you did.